Crushing Sean Fitzpatrick’s beamer & John Ruskin’s taste for Irish stone carving, in part 2 of our interview with artist, Sean Lynch.


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Exploring the many afterlives of the Delorean DMC12, with Ireland’s representative at the 2015 Venice Biennale, Sean Lynch.


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The arts program at Tallaght Hospital regularly stages musical encounters, but also commissions new music exploring illness, such as Stroke, Alzheimer’s and Parkinson’s Disease.


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Liam O’Maonlai and friends sings the songs of Bob Marley….as Gaeilge, in Amhráin Na Saoirse.


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Some describe Ensemble Ériu as a Minimalist jazz-trad septet. But that’s just the sort of thing some people would do.


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Among the lilacs, the greens, the scarlets & the deep, deep blues of Harry Clarke’s stained glass at St Mary’s Church in Ballinrobe.


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If you felt the earth move last weekend, it could be down to the sub-bass activities of Limerick “beats” music festival, Prima Volta.


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Apple Genius Bar v. Così fan tutte: evolving standards of genius, with Mozart commentator, George Fleeton.


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The growing importance of branding in terrorism, with author and counter-terrorism analyst, Artur Beifuss.


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Could areas such as graphic design, branding & even performance art produce new ways of combating extremism?


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There is no downside for comedians starting podcasts. Or is there? Gearoid Farrelly on the world of the laughcast. (Part 2 of 2)


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Irish comic, Gearoid Farrelly, on the exploding world of the comedian podcast.


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Tim Crouch examines the fine print on the contract between audience and performer at the theatre.


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What’s behind the recent demise of many of Dublin’s independent art spaces?


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Tiki Pop writer and curator, Sven Kirsten, on Don the Beachcomber and his rival Vic the Trader - once kings of the tiki scene.


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